❦   April · 2026

On the secret lives of afternoon tea

There is a reason my heroines are always interrupted mid-sip. The teacup is, as any proper Regency lady will confirm, the most reliable witness to every confession ever made in polite company — and the only one discreet enough to keep it…

❦   March · 2026

Why I write dragons no bigger than a pocketwatch

I have been asked more than once why my dragons are so small. The answer, I think, is that I believe magic belongs in the ordinary places. A fire-breathing giant in the sky is majestic. A tiny dragon dozing on a stack of letters is love…

❦   February · 2026

A list of things that always make their way into my stories

Wild roses, letters left unfinished, half-open doors, piano music heard from another room, a gentleman who looks a touch too long across a ballroom, and the word always whispered at least once…

❦   January · 2026

The making of Thorngate Abbey

Every setting begins with a single detail. Thorngate began with a gate — iron, rusted, flowering. I did not know who it belonged to or what lay beyond, but I knew that someone very important was waiting on the other side…

❦   December · 2025

On writing gentle heroines in a loud world

A gentle heroine is not a quiet one, nor a soft one. She is, in my hands, a young woman who chooses kindness over cleverness, and whose courage is measured in the small things she refuses to let go of…

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